Who is Metro Boomin and What’s His Role in Hip-Hop?
Metro Boomin has been a powerhouse in the production game for over a decade. Born Leland Wayne in St. Louis, Missouri, he rose to fame in the early 2010s with beats for artists like Future, 2 Chainz, and Wiz Khalifa. His signature sound—dark, atmospheric, and punchy—has made him one of the most sought-after producers in the industry.
Over the years, he's worked with everyone from Drake to Kendrick Lamar, which makes the current beef even more interesting. His collaborations have led to chart-topping hits, but now, he’s using his production skills to drop diss tracks instead of chart-toppers.
Metro Boomin - Quick Bio | |
---|---|
Full Name | Leland Wayne |
Stage Name | Metro Boomin |
Birthdate | September 16, 1993 |
Birthplace | St. Louis, Missouri, USA |
Occupation | Record producer, songwriter, DJ |
Years Active | 2010–Present |
Genres | Trap, Hip-Hop, R&B |
Labels | Boominati, Republic Records |
Notable Collaborations | Future, Drake, Kendrick Lamar, 21 Savage, Travis Scott |
How Did the Metro Boomin Diss Track Come About?
It all started with Drake’s “Push Ups,” where he took aim at a number of artists, including Kendrick Lamar, Future, and yes—Metro Boomin. In the track, Drake called out Metro for not producing beats like he used to, even referencing him by his real name, Leland Wayne. That’s not something you do lightly in the rap game, and Metro clearly wasn’t going to let that slide.
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So, he did what any good producer would do—he made a beat out of it. The track, titled “BBL Drizzy,” came as a direct response. The name itself is a nod to Rick Ross’s earlier diss on Drake, where he accused him of getting cosmetic surgery. Metro took that concept and ran with it, crafting a beat that fans are now flipping into diss tracks of their own.
What’s wild about all this is how fast it spread. From the moment Metro uploaded it to SoundCloud, people started picking it up and using it in their own ways. Some are even adding lyrics, turning it into a full-blown diss track aimed at Drake. It’s like Metro dropped a beat and said, “Here, go wild,” and the internet took him seriously.
What’s the Story Behind “BBL Drizzy”?
The name “BBL Drizzy” is a bit of a double entendre. BBL stands for Brazilian Butt Lift, a reference to Rick Ross’s earlier diss record “Champagne Moments,” where he accused Drake of getting cosmetic surgery. It’s a playful jab, but also a serious one—Metro’s not just making fun of Drake, he’s throwing shade in a way that only a fellow artist can.
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The beat itself is fast-paced, aggressive, and full of energy. It clocks in at 150 BPM, which is pretty high for a trap beat, giving it that urgent, in-your-face vibe. Metro didn’t just slap together a quick beat—he crafted something that hits hard, both musically and lyrically.
And the timing? Perfect. With Drake already caught up in a back-and-forth with Kendrick Lamar and Future, Metro stepping in with a diss beat of his own only adds fuel to the fire. This isn’t just a one-off beat—it’s part of a larger narrative that’s been building for weeks.
Why Are Fans Reacting So Strongly to the Metro Boomin Diss Track?
Well, for starters, it’s a Metro beat. People love his sound, and when he drops something new, especially something with this much heat, it’s going to get attention. But more than that, it’s the context that’s got fans hyped. Metro’s not just making music—he’s making a statement, and people are listening.
On TikTok, the beat has been used in thousands of videos, many of them remixes or parodies aimed at Drake. Some are even adding their own lyrics, turning the instrumental into a lyrical diss track. It’s a full-on movement, and Metro’s at the center of it all.
What’s interesting is how fans are interpreting the beat. Some see it as a direct attack on Drake, while others think it’s more about standing up for himself in a world where rappers often take shots at producers without facing any real pushback. Metro’s beat is a way to reclaim that narrative—and it’s working.
Is Metro Boomin Known for Diss Tracks?
Not really. Metro’s known more for producing hits than for making diss tracks. But that doesn’t mean he hasn’t been involved in hip-hop beef before. He’s worked closely with Future and 21 Savage, both of whom have been in their fair share of feuds. And let’s not forget his work with Kendrick Lamar, who’s arguably one of the best diss track writers in the game.
So, while Metro isn’t known for making diss tracks, he’s definitely been around them. And now, he’s stepping into that space—not with lyrics, but with production. It’s a different kind of diss, one that speaks volumes without saying a word.
He’s not just making beats anymore—he’s making statements. And in today’s hip-hop landscape, that’s just as powerful as any verse.
Could This Be the Start of a New Trend in Diss Tracks?
It’s possible. Metro’s approach is unique—he’s letting the beat do the talking. It’s a fresh take on how diss tracks can be delivered, and fans seem to love it. Instead of dropping a full song with lyrics, he’s giving people the tools to create their own versions. It’s like he’s handing out the foundation and saying, “Build your own house.”
And people are doing just that. From remixes to parody videos, the beat has taken on a life of its own. Some are even using it to call out other artists, not just Drake. It’s like Metro created a template for diss tracks, and now everyone’s jumping in to use it.
What Does This Mean for Metro Boomin’s Career?
It’s hard to say exactly, but one thing’s for sure—this has brought a lot of attention back to Metro. In a world where producers often stay behind the scenes, Metro’s stepping into the spotlight in a big way. And he’s doing it on his own terms.
This beat could open the door for more production-based diss tracks in the future. It’s a new angle, and it’s working. Whether or not Metro continues down this path remains to be seen, but for now, he’s making waves in a way that’s both creative and effective.
He’s always been known for his sound, but now he’s known for his attitude too. And in hip-hop, that’s just as important.
What’s Next After the Metro Boomin Diss Track?
That’s the big question, isn’t it? Will Drake respond? Will Kendrick or Future get involved again? Or will Metro just let the beat speak for itself? Either way, it’s clear that this isn’t just a one-off moment—it’s part of a larger story that’s still unfolding.
What’s next could be more beats, more diss tracks, or even a full-blown album from Metro. He’s already teased some new music, and given the response to “BBL Drizzy,” it’s safe to say people are watching closely.
For now, though, the beat plays on. And the internet? They’re not done with it yet.



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